Monthly Manga

For the newsletter this month, I wrote about reading monthly manga magazines. It’s been a revelation. Like suddenly being subscribed to 20 random Netflix shows you didn’t know existed. That sometimes go on break. For 590 yen/month As a new reader, I’ve been pleasantly surprised with the two issues so far.

Cocohana has been good, but I’m not sure if there are any series that I’d go out of my way to catch up on with collected volumes. What I was really looking for was a way to increase the volume of natural Japanese dialogue I was reading, for work purposes, and it’s absolutely providing good repetitions on that front.

Comic Beam, on the other hand, I’m finding really compelling. I mentioned 鳥トマト (Tori Tomato) in the newsletter. She had a one-off piece in the November issue called マイお兄ちゃん that was really complex.

But I’m also finding グリッチ by シマ・シンヤ (Shima Shinya) and アン・グラ by 丸尾末広 (Maruo Suehiro) really interesting. Suehiro seems to be right around the same generation as Murakami, maybe a little younger, and they’re both a generation or so after 楳図かずお (Umezz Kazuo), whom I’m interested to read after seeing an art exhibit at the Abeno Harukas Art Museum.

Maruo and Umezz are a lot more abstract and trippy compared to the Cocohana content, and Shima Shinya is somewhere in between – a standard storytelling style with unique art and quirky sci-fi story content.

I’ve been monitoring Mercari for Umezz Kazuo manga, but I actually just did a quick search on Jmty.jp and discovered a set of his manga for 1,000 yen here in Osaka. The post is a bit old, so I have my fingers crossed that it’s still valid because that’s a great price for a complete set and just a few stops away on the train.

So this is your push to find a monthly magazine—any will do—and see what’s in there. You could do the same with literary magazines, to be fair, but the lift would be much heavier than manga. Just thinking about getting through an entire issue of 文藝春秋 within a month makes me break out in a cold sweat!

4koma Coma

Happy New Year! I’m in the Japan Times this week with a look at 四コマ漫画 aka 四コマ aka 4koma: “Yonkoma manga: Lives told, lessons learned in four frames.”

I wrote this article before reading Nippon.com’s look at the nominees for the word of 2017. It made me wonder whether the strips I wrote about were a result of うつヌケ うつトンネルを抜けた人たち (Utsu-nuke: Utsu tonneru o nuketa hito-tachi, Utsu-nuke: The people who made it through the tunnel).

But I realized that Utsu-nuke may be a culmination of sorts. Ryu Tamako’s blog began in 2015 with a look at OCD and seems to have been relatively successful. I’m sure there have also been other examples of mainstream pop culture (dramas? novels?) that have helped make the topic of mental health more accessible over the last 10-15 years.

The pixiv strips I looked at are more recent, so maybe they benefited from the Utsu-nuke phenomenon as well as technological advancements (new social media, easily/affordably accessible digital art supplies). At any rate, I think they’re both great, and I think they both capture the artists remarkably well.

I dug around pixiv for a little lagniappe for the blog and I ended up finding this awesome 4koma: 5分でわかる「羊をめぐる冒険」. It’s basically a manga Cliff Notes version of A Wild Sheep Chase, not your prototypical 4koma structure. I can’t tell if it’s finished…seems like there’s more of the story to tell. I really like the art. It’s very clean but not overly simplified. I’ll have to check back in.

The artist also has a more typical 4koma series titled めがね夫婦日乗 (Megane fūfu nichijō, Daily life of the glasses couple…although I’m not sure I understand the nichijō pun). One funny example is this gem which required me to listen to the 1972 song 北風小僧の寒太郎 (Kita-kaze kozō no Kantarō, Kantarō, The North Wind Kid…as translated here) to understand. If you don’t get the joke, I’ll explain it below*.

Judging from the Wikipedia, the song was NHK’s attempt to make 子供向け演歌 (kodomo-muke enka, enka for kids). Pretty interesting. It comes right as the word enka was starting to coalesce into its own style.

Searching for this song also reminded me of the banana song that used to play over the speakers in my grocery store in Tokyo. I don’t really have an excuse to share it (and I think a stand-alone post would be kind of silly…although maybe silly is what I’m aiming for with this), so here it is. It’s an earworm. 甘熟王!

*In the song, background singers repeat Kantarō but the second verse has やってきた in place of Kantarō, and the husband messes this up and goes with Kantarō again, ruining the wife’s perfect rendition and resulting in his subsequent orz. This is only made funnier by the fact that he says he messed it up on purpose. Ha.

Review – コーヒーもう一杯 (One More Cup of Coffee)

The Japan Times has a short profile/interview of How to Japonese/me online today! Apparently they will be publishing it in the actual newspaper on Wednesday.

In the interview, one of the questions they ask is what Japanese books are good to read in order to improve spoken Japanese. Well, Murakami’s great and easy to read, of course, but I realized that manga are probably better than fiction since you are basically reading a script with visual cues.

One of my favorite manga is Naoto Yamakawa‘s 『コーヒーもう一杯』 published by Enterbrain. Yamakawa writes short coffee-themed manga and publishes one story a month in 月刊コミックビーム. The stories get collected into annual volumes which he intersperses with short prose poem type stories, also coffee-themed. He begins his first volume with one of these, explaining the title of the collection:

“One More Cup of Coffee” is the title of a song from Bob Dylan’s 1976 album Desire.
I started listening to Bob Dylan when I was a high school student, always listened to him after that, and listen to him even to this day.
When I first heard him I thought, “What the hell is this?” But as I kept listening, I got into the habit of listening to him and really came to like his music.
To give you an idea of how much I like him, sometimes I get on a train, see his name on a hanging advertisement, and get so surprised I almost lose my shit.
But when I look closer it doesn’t say Bob Dylan; it says things like volunteer (ボランティア) or body line (ボディ・ライン).
Beyond the title, this manga has no connection with Bob Dylan, but there are many pages I drew while listening to Bob Dylan.

The introduction perfectly captures the feel of the collection – coffee, like Bob Dylan’s music, is something that might take time to get used to, but once you start to enjoy it, it’s hard to live without. And because coffee is a daily ritual, it ends up being strongly connected to other experiences: people you went to coffee with, conversations shared over coffee, the intricate ritual of brewing coffee. The collection diagrams coffee as a social experience in modern Japan.

Brewing coffee is the theme of the first story of the collection:

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But it’s also a love story. The young man making coffee in the image teaches the other man how to make coffee, which puzzles him since he already taught him how when working as his assistant. Through the flashbacks we realize that the young man Mameta (豆太; Yamakawa often uses 豆 in his names as a joke, since it’s the character for “bean”) had a crush on Aoyama’s girlfriend Motsumi. At the end of the story after the two have coffee, Mameta walks Aoyama to a cigarette vending machine where they buy Hope cigarettes, and Aoyama confesses that he’s split with Motsumi. Mameta returns to his small apartment, brews another batch of coffee and sits down to process everything that happened while enjoying a cup:

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Yamakawa’s unique, warm drawing style is perfectly suited to the content. The stories are all sort of sad, strange and even nostalgic, but it’s a nostalgia for the present day – Yamakawa’s portraits of urban Japan are so romantic that they approach simulacra. He loves the coffee shops:

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Used bookstores:

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Apartments:

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And streets of Japanese cities:

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The illustrations in this series are a refreshing change from the kind of manga that gets translated and shipped abroad. I’ll take the back alleys of Shinagawa-ku over the bright lights of Shibuya any day of the week. I do frequent Dry Dock, after all, which I think is the closest I’ve come to a コーヒーもう一杯-esque location in the flesh.

I discovered the series while hunting for manga to read on a flight. I was actually looking for SOIL, also published by Enterbrain, but since they didn’t have it, I went for コーヒーもう一杯, and I’m sure glad I did. It’s perfect plane flight or train ride manga: the stories are short and manageable, fun to read, and beautiful to look at. Highly recommended.

Bonus link! Yamakawa has his own blog, through which I discovered that Volume 5 of コーヒーもう一杯 is the final volume. Probably for the best. All of the stories are good, but Volume 1 was by far the strongest.