Some kind of organic beer from Otaru showed up in the AMPM near my apartment:
And, oops!, l/r FAIL:
Just Read It
(Updated with links to books on Amazon Japan because I was lazy on Friday. Used copies of 夜のくもざる going for 1 yen!)
I’ve read 450+ Japanese pages over the past week, probably more than double the amount I read over the previous two months, and I can feel a tangible improvement in my spoken Japanese. Yes, you read that correctly. Spoken Japanese. I’m sure that my reading abilities have gone up, which makes sense, but over the last few days I’ve also noticed that phrases and patterns seem to come to me more quickly than they did last week. A couple of thoughts about this phenomenon and reading in general:
– At some point you have to make the leap. Once you have some kanji under your belt, you need to put down the dictionary and start reading for length of time and volume rather than complete understanding. Why length of time? You need to train your eyeballs to read vertically. When you first start reading vertically, you’ll actually be zig-zagging slightly to the left and right as you take in the characters. One of my Japanese teachers said this is why your eyes get tired more quickly at first. The more time you spend reading, the faster your eyes will train themselves to recognize kanji without straying from the invisible center line. Why volume? It builds confidence. It’s important to feel like you’re making progress with reading. This doesn’t mean that you should stop looking up words (definitely look them up if it’s very important), but if you can get most of the meaning without looking up a word, then you can skip it. (This is, by the way, exactly what we all do in our native languages – context provides great usage examples and a lot of meaning.)
– As for why reading helps improve spoken Japanese, I’m not exactly sure. I like to think it’s because, magically, the grammar patterns are imprinted on my brain pudding, enabling it to function more naturally in Japanese. I’m sure this is the case to a certain extent. Perhaps the net effect of reading on speaking varies by person depending on how much they vocalize internally as they read. I don’t think I vocalize much at all (constantly skip over readings I understand but don’t know, probably swallow patterns in big chunks rather than word by word), but I still feel better about my spoken Japanese than I have in weeks. Mmm…brain pudding.
– There are limitations to this approach: for whatever reason my conversation topics are limited to religious cults, the NHK collection man, Czech classical music, and gin and tonics.
– Kanji shouldn’t be studied. Just keep reading and get used to them. Matt explains far more articulately here.
– Start with shorter material and work your way up to the big guns. If you try to start reading with Wind-up Bird Chronicle (or the Japanese translation of Pynchon’s V…I actually did look briefly at the translation before realizing I wasn’t going to pay $60 for a book that was difficult in English), you are setting yourself up for defeat. Start with some short stories. One of the best collections for beginners is Murakami’s 『夜のくもざる』(“Night of the Spider Monkey”), which is a collection of “super-short stories” (超短編小説). Each story is only 2-3 pages long, so you can get that “Whew, I finished reading” feeling without going for hours and hours. The one downside of this collection is that all the stories are weird. Like, super weird. Kaori Ekuni has a couple short story collections that might be good for first-time readers, one of which has the funny English title on the book “It’s not safe or suitable to swim” (『泳ぐのに、安全でも適切でもありません』). Anyone know any other good reads for beginners?
– In the end, though, nothing is as satisfying as reading a full length novel. Or at least a nice big fat story like an Akutagawa Prize winner. The first book I ever read from start to finish in Japanese was 『蹴りたい背中』(“The Back I Want to Kick”) by Risa Wataya who won the prize in 2004 when she was 18. Shortly thereafter I read 『蛇にピアス』 (“Snakes and Earrings”) by Hitomi Kanehara who shared the prize with Wataya. They aren’t all that long – I could probably finish them in half a day now – but they each took me several weeks to finish back then when I read at the pace of 5 pages a day. I looked up every word and there were many passages I wrestled with, but it was worth it. (I should admit that I was meeting with a professor once a week to go over any questions. She helped me out with a lot of the patterns I was unfamiliar with. Maybe if there are enough beginner readers around Tokyo we could start some sort of group. I’d be glad to lend a hand if anyone’s interested.)
Future Help
A short follow up to last week’s post on 助かりました. The present tense of this verb is also incredibly useful. The key is to remember that the present tense (助かる or 助かります) is the same thing as the future tense. That let’s you form patterns like this: 〜していただければ、助かります.
~ is any verb (not necessarily a する verb; the して just stands in for all verbs in the example) that you are having done for you. The subject of the ~ is another person. You, the speaker, are the subject of いただければ, which is the conditional tense (?) of いただく.
Looking at it literally we have, “If I could receive you doing ~, I will be helped (in the future).” In normal English, “I would really appreciate it if you could ~.”
A couple examples:
8時に起こしていただければ、助かります。
I would really appreciate it if you could wake me up at 8.
今日中に出していただければ、助かります。
It would be great if you could turn it in at some point today.
大きい声で読んでいただければ、皆助かります。
It would help everyone if you could read in a loud voice. (Threw a 皆 up there to vary the subject a bit.)
You can even use an energetic 助かります！ right after you’ve made a request to soften said request. (Effective when combined with a frowny face.) Kind of a reverse airbag expression.
In the future once you’ve been assisted, you can then say 助かりました！
号外 – Cool Kanji – 抽斗
Another interesting liveblog-induced post, this time from Matt at No-Sword. He’s got the info on 抽斗. He notes that Soseki used different varieties of the word within the text of his book Michikusa. Sometimes I wonder about 変換 choices even in more recent stuff. Could just be lazy editors?
号外 – Christian Signs
One time, in the Bible, Jesus said, “Ask Adamu from Mutantfrog, and you shall receive.” As you know, Jesus doesn’t lie; in my liveblog this past weekend I asked Mutantfrog for an explanation of the Christian signs in rural Japan, and Adamu delivered. Great post filled with lots of information about the origin of the signs. Surprising that so many people just let that organization put them up.
In other news, I have learned how to “trackback.”
1Q84 Liveblog
During my third year of college, my Japanese literature professor invited me to cheer on Haruki Murakami at the Boston Marathon with his departmental literature class, a class I’d taken the year before. The small group of us went in a few cars over to Heartbreak Hill, the brutal rising slope towards the end of the marathon course. We got there and watched the runners pass by, numbers and names written on their arms and shirts, as they trudged, walked and ran through the last few miles of the race. Murakami eventually approached, we cheered, and he ran off with a confused look on his face – it was a great day.
In the car on our way to the race, the professor said something that I’ve kept somewhere in my head for a long time now – six years to be exact. He said, “What we’re doing doesn’t make sense, but we’re not doing it because it makes sense.” This seems like an appropriate time for them to come floating back to me – what I’m about to do doesn’t make sense, but I’m not doing it because it makes sense.
I will be doing it well, though. I’m equipped with a nice Islay single-malt, a choice selection of beer, and a rainy weekend giving me the perfect excuse to sit inside and read. For food, I have some snacks to tide me over, but I’ll go knock off the local McDonald’s for some bread later tonight. Yes we パン!
So sit back, relax, give your whisky a swirl, and check after the break for 1Q84 liveblog madness all weekend (or until my eyeballs fall out).
号外 – Q-Teen Eighty Four Early Release
What’s that book he’s got there…
Hmm…
Ohh…
Yes, the street date has been broken for 1Q84. (Do we call it “one kew eight four” or “q-teen eighty four” in English?) I saw a tweet about a possible early release and decided to drop by the closest bookstore after work. Sure enough, there were copies of Book 1 sitting next to the other new hardbacks. They didn’t have Book 2, which is probably fine since I won’t be needing it for another month or so.
Immediate first impressions:
– It was expensive. 1800 yen, or just about $18. Do hardcovers in the US cost $36?
– It’s massive. 554 pages to be exact. I believe Book 2 puts the combined length at over 1000 pages.
– It probably features chapters with alternating stories. I’ve really only read through the index, but this is made clear by some kanji after the chapter numbers. Can’t confirm this because I haven’t read anything yet. Also haven’t looked up the kanji.
– The chapter titles are Pynchon/Fariña-esque. Also similar to Wind-up Bird. They’re more phrase-like than noun-like. At one point they also refer to “readers” (読者), although this could very well be readers within the book and not me and you.
– It takes place between April and June. The months (4月ー6月) are on the cover. I believe Book 2 has a different set of months.
– It looks more dense than his past books. Big blocky paragraphs. Not so much dialogue and short phrasing as in old works.
– It smells like a book.
I read the first sentence already. It’s going to be hard for me to stop myself from reading the rest until Friday, but that’s what I’ll do. After I wake up and have breakfast, I’ll dive right in. See you Friday morning.
1Q84!
I got the day off on Friday, so barring extreme personal injury, the 1Q84 liveblog will start at approximately 7 AM JST.
Murakami had a couple interesting things to say in an interview in the Spring volume of the Japanese magazine monkey business (translations are my own):
When I write a new novel, I say to myself, “This time, I’ll try doing this or this differently,” and establish several specific assignments for myself in terms of techniques, and for Norwegian Wood that [having scenes with three people talking] was one of the assignments. (33)
Afterdark clearly had some new techniques. It will be fun to see what he does this time. He drops a few hints about the “comprehensive novel” (borrowing Rubin’s translation of 総合小説), which he seems to imply is forthcoming and not the soon-to-be released (*fanboy squeal*) 1Q84:
So I’ve given that kind of novel the designation “comprehensive novel” as a kind of temporary name. People have all sorts of concepts for the designation comprehensive novel, so it’s easy to be mistaken, but what I think of as a “comprehensive novel” is basically one that’s long…and heavy. (laughs) And it’s a novel where all sorts of people, from remarkable people to normal people, appear one after the other, and many different perspectives are overlapped organically. Something like that. If you do that, then naturally, you won’t be able to write it in the first person. So when I mentioned earlier that if you look in at the big picture, my fiction has shifted from first-person to third-person, that’s what I was talking about. And in the end, that’s [towards a comprehensive novel] where I want to be heading.
Lots of different stories appear and intertwine into one, and there’s a certain type of sordidness, strangeness, seriousness, a chaos-like condition that can’t be compressed into one, all of that with a world view as a backdrop. When all those conflicting factors pile up into something like a melting pot, that’s the comprehensive novel I think of. And pretty soon I’ll be over 60, so I might not be able to get there as quickly as Dostoyevsky [who wrote The Brothers Karamazov at 59], but I think I’d like to gradually produce my own kind of comprehensive novel.
But it’s really hard work. And now, I’ve been writing a new full-length novel continuously for the last two years – I started writing it right on Christmas two years ago – so for that whole time, I was getting up every day at some time between 2 and 4 in the morning and writing for four or five hours. During that period, I did take time off for vacation, but I think it was only about 10 to 20 days. Sitting there in front of my desk everyday for four to five hours straight, that was pretty tough. (56-57)
Two more days to kill.
Game Lingo – 敵
敵 (てき) is a relatively straightforward term – it means enemy. The one thing to keep in mind is that occasionally it can refer to another human player rather than an in-game enemy; in this case, “opponent” is a more appropriate translation than “enemy.”
An interesting compound using 敵 is 無敵 (むてき), which is the Japanese word for “invincibility” and should never be translated as “no enemies.” A frequently used, non-idiomatic four character compound is 一時無敵 (いちじむてき), which means “temporary invincibility.”
号外 – More 1Q84 Info
I just got this as a comment on the old Blogsome version of this blog. Pretty interesting stuff:
The following is a fragment that has been removed from Wikipedia’s page, but it is worth thinking about and posting somewhere.
The Internet is rife with speculation as to the possible meaning of the title, with various theories including a pun on [[George Orwell]]’s [[Nineteen Eighty-Four]], a belief supported by the Murakami scholar Shojo Fujii, who claims that it is to be understood as “I am Q”, from [[Lu Xun]]’s novella [[The True Story of Ah Q]], to a claim that it has to do with the chromosomal location of [[acetylcholinesterase]] in humans and rat’s, on chromosome 1 (which is inaccurate; chromosomal locations are not designated quite this way.). This reference would suggest that the book has some reference to the [[Sarin gas attack on the Tokyo subway|Aum Shinrikyo gas attack]], which used [[sarin]] gas, which targets this critical enzyme.
However, the [[Protein Data Bank]] [[X-ray crystallography|protein crystal structure]] identifier for mouse acetylcholinesterase is labeled 1Q84, suggesting that this lattermost interpretation bears some credence. This is further supported by cover images[[http://translate.google.com/translate?hl=en&ie=UTF-8&sl=ru&tl=en&u=http://virtualsushi.livejournal.com/]] Retrieved on May 20, 2009 which bear the dates 1985 (the year of the founding of the [[Aum Shinrikyo]] cult), 1994 (the year of the [[Sarin gas attack on the Tokyo subway|Aum Shinrikyo gas attack]]), 2002 (whose meaning is unclear, perhaps the date of a survey suggesting that the public still does not trust the [[Aum Shinrikyo|Aleph]] group, and 2009 (perhaps the date of publication?).
Some nice informed speculation there, but I think the bit about the dates is digging too deep. It’s not on the cover, but on the publisher’s site – here. If you click on the date, it takes you to a page promoting the novel Murakami published in that year. Shinchōsha is basically using the new novel to promote their old ones. Here is the page of my predictions for the novel.