Category Archives: Murakami

Updates 2010/07/08

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A couple of updates to old posts. If I added them to the actual posts at this point, no one would notice, so I thought I’d make a separate post.

“Project Management Lingo – 改行”

In the comments Arline reminded me of one of the commands that can be used to count characters in Microsoft Excel and Open Office. “=len(target cell)” will count all of the characters in the target cell. Note that this is all the characters regardless of line breaks. If you’re working with material that has line breaks within cells, then the easiest way might be to open up a separate file, do the translation line by line counting the characters with =len, and then pasting the final result back into the cells of the original file.

“Underrated Phrase – そうですね”

Check out the final Collabo-Ramen video! Did you notice the way that Komuro-san was answering my questions? For each of the two questions I included in the video, she begins her response with そうですね. Note the tone that she uses – this is exactly what I was referring to in the Japan Times article. Using this そうですね when responding to questions will make your Japanese sound much more natural.

“Who will feed the Haruki Murakami fans online?”

Since I wrote this post about Murakami’s/Murakami’s publisher’s Internetal ineptitude, I noticed that my Facebook profile was devoid of Murakami. That’s strange, I thought, I could’ve sworn I had him as one of the two authors I like under the “Books” section of my profile. (The other being Barbara Tuchman. “The Zimmerman Telegram” was a weird combination of all my interests/ethnicities – intrigue between U.S., Mexico, Japan and Germany. My father’s family is Mexican-American, and my father’s mother’s family were Germans who immigrated to Mexico.) I searched for Murakami on Facebook, and sure enough, the unofficial page had been deleted. There is now an official page run by Knopf, AND it’s being updated frequently. This has all happened in the past week and a half, however, so we’ll have to wait and see if it gets properly maintained or ignored like the Random House site.

Ret’s Rink – Mixi, Free Rent, King’s Quest, Murakami

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Time for another round-up of what I’ve been writing for Japan Pulse.

“Mixi helps users socialize with new apps”

It took Facebook a while to break into Japan, but when it did, Mixi was slow to react. It looks like they are starting to get the idea. Every time I log in (which has been somewhat infrequent), I see new features and designs. The good news is that it hasn’t changed too much – it’s still a great place to interact with real, live Nihonjin. I put up messages on a couple New Orleans communities and got a reply from a Japanese couple that will be moving from France to New Orleans in July. My brain thirsts for 会話.

“Pulse Rate: ‘Free rent’ pricing aims to fill up empty apartments”

When I moved back home, I was worried it would be tough to find material for Pulse. I shouldn’t have worried – if you give to the Internet, it will give back to you. I keep the Google Keywords feed in my RSS reader and try to take a look at them every now and then. I’m convinced that TV plays a huge part in driving the ebb and flow of keyword searches (and also trends in Japan), but this was the first time I was able to prove it. I found a website describing how the term “free rent” appeared on Gacchiri Academy. Several hours later, it was at the top of the keyword search. I was able to find the official site, which has the segment almost line by line, and figure out what the deal was. Perhaps the inflexibility with rent pricing will eventually lead to the abolishment of all key money. I’m sure everyone would appreciate that.

“Big (Only) in Japan? ‘Greensleeves’”

King’s Quest! I played this back in the day on my dad’s Amiga…or maybe it was the Commodore? I can’t remember. I do remember being frustrated by the game. My dad copied it from a friend, so we didn’t have any of the manuals or anything – I had no idea what to do. My brothers and I just walked the character around, pulling carrots out of the ground, leading the goat around and falling into wells. I also remember the music – Greensleeves is the name of the tune. It was a surprise to encounter it so often in Japan.

This post was a little weak to be honest – it was fun to highlight the phenomenon (which, surprisingly, no one on the blogosphere has done yet), but I wish I could have dug a little deeper and figured out exactly WHY Greensleeves gets used as hold music. There must be someone who knows.

“Who will feed the Haruki Murakami fans online?”

Man, someone at Random House needs to be fired. Who decided that their author websites need embedded music? First of all, check out Murakami’s official English site. Yeah, the music is kind of spooky and cool…for the first five minutes or so. In the words of Mitch Hedberg, it’s like pancakes – all exciting at first, but by the end you’re fuckin’ sick of ‘em. At least Cormac McCarthy’s site doesn’t autoload the music. But, yeah, it also has music. It’s easy to excuse these guys for being born outside of the Internet generation, but come on! Their editors or publishers clearly haven’t thought this through. Maybe the editors and publishers are all old dudes, too? Oh well. William Gibson gets it. Steven Hall (granted he’s young) gets it. Their blogs take a hit when they are writing, but it’s awesome to read their posts when they do write them. Gibson had a stretch earlier this year just after he finished his latest novel where he answered a ton of reader questions about the way he writes. Very interesting stuff. The lesson is this – learn how to own your identity on the Internet. You don’t have to be a Zuckerbergian and tweet what you had for breakfast, but you should know how you’re being represented

So, yeah, hire me to do the News section on the Murakami site? I know I could do better than what they currently have. The release of 1Q84 in Japanese deserved a mention as did all the announcements about the translation release schedule and whatnot. Random House is asleep at the wheel. Inexcusable.

I’m curious to know exactly how much Murakami has to do with the Japanese 1Q84 site. Some of the posts are focused only on the people in the publishing section. Strange that Murakami would be so controlling about keeping plot details under wraps and then let other folks post freely on the official site for his book.

This user-submitted illustration of the Little People walking into someone’s mouth was my favorite. Too bad that wasn’t the reason he called the book 1Q84.

Reading Theory – Notes Increase Retention

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When I read Books 1 and 2 of 1Q84, I stormed through them, reading an average of 55 pages a day. I then promptly fell ill and did not venture far beyond the edges of my futon for the next week. (Belated apologies to some of the commenters who commented on that first post – I stopped responding once I got sick.) When I went to write my review of the book, I had a hard time remembering what had happened and an even more difficult time locating passages I wanted to quote. Doh.

For Book 3, I’m reading at a much more leisurely pace. I’m only on page 348 but have been reading for nearly three weeks, which comes to 16 pages a day. One reason I’ve been reading more slowly is that I’ve been writing more notes. Take a look:

I’m using a technique a graduate student recommended to me when I was writing my senior thesis. At the time I was complaining that it felt like Japanese was going in through my eyes and straight out the back of my head – I didn’t feel like I was retaining anything. He suggested writing little notes above paragraphs to summarize the content. They don’t have to be extensive or detailed, but even a little summary of what is happening can help you 1) make sure you are paying attention while you read, 2) make sure you are understanding what you read and 3) find passages later when you are flipping back through.

If you find an important passage or important line, you can write something more detailed. Fortunately I did that for Book 1 and 2, so I had some things to talk about in my review. For Book 3, I’ve been notating it far more extensively, so it should be much easier for me to remember later and write about.

Ret’s Rink – 1Q84, Beer vs. Mutant Beer, Shibuya Station Pub Crawl, Facebook Page

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Well, for various reasons I canceled my Europe trip. I’m bummed out about it, but it might be for the best – I’m moving back to the U.S. at the end of May to go to graduate school, and the extra time in Japan will enable me to say my goodbyes properly and to round up five years’ worth of belongings. I’m confident that I’ll get to Europe soon, maybe as soon as June or July.

How to Japonese will continue now and post-repatriation, but posting will be light until the beginning of June. Hopefully once a week. Today I’m just passing on some links with a bit of additional information.

“The knock-on effect of Murakami’s “1Q84” series”

This is my post on Japan Pulse about 1Q84 Book 3. I went to lunch in Yokohama Thursday and stopped in a bookstore after eating. The book hadn’t been released yet, but the displays were already stocked with 1Q84-related material. His complete 文庫本 back catalog, his translations, books mentioned in 1Q84. Pretty impressive. Murakami has made it easy with his prolific name-dropping. I’m about 120 pages in, and so far not much has happened, but the names keep coming. Since I wrote the article, he has started quoting extensive passages from Isak Deneson’s Out of Africa.

“Major beer companies diet excessively while craft brewers beef up”

I also wrote about the beer scene after being inspired by the Yokohama Spring Beer Party. It was on Sunday, April 11, as was the Japan Craft Beer Selection 2010 hosted by Popeye at the Bunkyo Kumin Center. The two events couldn’t be more different. I attended the Beer Selection last year, and the goal of the six and half hour event was to carefully judge all Japanese craft beers. Or at least all the beers entered in the competition. It starts with a lecture on how to judge beer, then continues to a practice tasting, after which the 100 or so participants undertake blind taste tests by style and fill out cards rating each beer’s bitterness, maltiness, aroma, mouthfeel and more. Last year they announced the winners on the spot, but this year beers that are selected continue on to the final round, which will be held on May 16th at Popeye.

The Yokohama Spring Beer Party, on the other hand, was a relaxed, picnic atmosphere. There were over two dozen beers, and it was all-you-can-drink for 2000 yen – quite a deal. Later in the afternoon there was even an impromptu 記念写真 with nearly all 500 participants along the Yokohama harbor. Several brewers were there, as were the staff from many of the Kanto-area bars. The contrast of the events, to me, showed that good beer is starting to go mainstream as well as otaku (it’s probably been otaku for a while now, actually). Very cool to see the frequency and variety of different beer events available in Japan.

Now if only we can get the tax laws changed. Seriously, someone should do something about this.

“The great Shibuya Station beer-lover’s pub crawl”

I also have a pub crawl review on CNNGo Tokyo. Five great beers from five great bars in Shibuya. I made a video of the crawl, which you can see here:

Shibuya Station Circumnavigation Great Beer Pub Crawl from Daniel Morales on Vimeo.

And finally, I made a Facebook page for How to Japonese, so feel free to follow the feed over there.

号外 – Reminder

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Just a reminder that Wednesdays I’ll be posting in Japanese over at How to Engrish. Good reading practice. See if you can find my mistakes. (There are lots of them.)

Also, I thought I’d introduce two new literature/translation blogs by frequent How to Japonese commenters Will and G Dawg. Will is blogging over at Wednesday Afternoon Picnic. He’s been translating stories from 夜のくもざる, a great little collection of Murakami super-shorts several of which I’ve tried to translate myself. G Dawg just started Old G Dawg’s Labyrinth the other day with a close look at the first page of Almost Transparent Blue. I like the header graphic on his site – looks inspired by Murakami’s Hard-boiled Wonderland and the End of the World.

号外 – 1Q84 Part 3 Reserved

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I was at 有隣堂 today and noticed that they have started taking reservations for 1Q84 Book 3. The signs say that they expect it to sell out immediately. Here’s what my reservation slip looks like:

The price is 1995 yen, almost 200 yen more expensive than Book 1 and 2, which makes me wonder if, Egads!, this part is longer than the first two. Nothing would surprise me at this point.

No payment is necessary up front, so get to your closest 本屋 and 予約 a copy for yourself. The book will be released on April 16.

～ている – Stative Gerunds

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現在進行形 is the name of the tense (present progressive in English). You’re probably well familiar with this pattern. 食べています (tabete imasu). 飲んでいます (nonde imasu). Eating stuff. Drinking stuff. Doing stuff in general.

But I was reminded last week by 落ち着いている that you have to be careful with this pattern in Japanese because the same construction can be used as stative description depending on the verb. One of the best examples of this is the phrase 変わっている. This should not be translated as “is changing.” If something is 変わっている it means it is “in a changed state,” i.e. it is strange or weird. This is often used to describe quirky, unusual people.

You have to be vigilant not to fall into this traps. I recently had to pull myself out of one. In the Murakami story “The Town and Its Uncertain Wall,” there is a short introduction where the narrator meditates on the uncertainty and ineffectiveness of words:

語るべきものはあまりに多く、語り得るものはあまりに少ない。

おまけにことばは死ぬ。

一秒ごとにことばは死んでいく。路地で、屋根裏で、荒野で、そしで駅の待合室で、コートの襟を立てたまま、ことばは死んでいく。

お客さん、列車が来ましたよ！

そして次の瞬間、ことばは死んでいる。

I initially translated that last line as “And the next moment words are dying.” But it actually should be “And the next moment words are in the state of being dead”; in other words, “words are dead.” This passage is interesting because you have three different conjugations of the verb die: 死ぬ (shinu), 死んでいく (shinde iku), and 死んでいる (shinde iru). Here is the translation I ended up with:

There are too many things I want to say and too few things that I am able to say.

And to make matters worse, words die.

Every second words are dying. Words die in alleyways, in attics, in the wilderness, and in waiting rooms at stations with the collar on their coat turned up.

Excuse me, sir! The train is here!

And the next moment, words are dead.

I guess if you wanted to be more dramatic and read into it a little you could go with “Every second words are uttered and then go off to their death” for 死んでいく. Anyone have other ideas?

If you are trying to say “is changing” you should probably say 変化している (or possibly 変身している), or you could bust out some ところ action and say 変わっているところ.

Other frequently used examples are:
開いている。 It’s open.
閉まっている。 It’s closed.
冷えている。 It’s chilled (and ready to drink).

Maintain gerund vigilance.

A Short Piece on the Elephant that Crushes Heineken Cans

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With the goal of stirring up even more interest in Murakami between now and mid-October tomorrow (!), when the Nobel Prizes are announced, I will post a small piece of unpublished Murakami translation once a week from now until the announcement. You can see the other entries in this series here: 1, 2, 3, 4, 5.

Murakami’s Complete Works is an interesting collection. It includes all of his main novels, most of his major short story collections, a few 書き下ろし “bonus tracks” type stories, and then other short works that he just happened to like. One of these is “A Short Piece on the Elephant that Crushes Heinekan Cans.” Murakami included it in Volume 8 of the collection which collects the stories from his collection The Second Bakery Attack (パン屋再襲撃). Without further ado, here is my translation:

A Short Piece on the Elephant that Crushes Heineken Cans

When the zoo closed, people from the town put together some money and bought the elephant. The zoo was a crappy little zoo that surprised no one by going broke, and the elephant was old and worn out. He was so old and worn out that no other zoo would take him in. He didn’t look like he would live much longer, and no zoo could be asked to take in an elephant with one foot in the grave.

The zoo’s broker had no idea what to do and even pleaded with the town to take the elephant for free. “He’s old, so he doesn’t eat all that much. And he’s really tame. He’s not going to wake up the neighbors by trumpeting loudly. All he needs is a place to go. Quite a deal, being free and all,” said the broker.

After arguing for around a month, in the end the town council decided to take in the elephant. The looked all over the world, they said, and there wasn’t a single town that had its own elephant. Of course there are probably plenty of towns like that in India and Africa, but there were at least none in the northern hemisphere.

A farmer who had some land on a forested mountain provided a place for the elephant to live, and they relocated a run-down elementary school gymnasium to use as an elephant pen. Leftover school lunches provided plenty of food. A retired employee from the town offices became the elephant keeper and looked after him. The town did have quite a bit of money, so it was relatively easy to put together the appropriate funds.

And it wasn’t like the elephant was totally useless either.

The town assigned the elephant the job of crushing empty cans. First they made a concrete pipe in the shape of the elephant’s foot and then trained the elephant to stomp there when a whistle was blown. Every week on Friday the cans were collected from all over the town and hauled to the elephant’s pen by truck. Beer cans, soup cans, nori cans – they piled up all sorts of can in front of the elephant’s pen. The elephant keeper would dump three buckets worth of cans into the concrete pipe and blow the whistle. When the whistle sounded, the elephant stomped with one foot and crushed the cans, turning them into a single flat piece of metal.

…

(65-66)

(*Update: I’ve redacted part of this story.) Here’s what Murakami has to say about the story in his notes:

From what I can remember, I wrote “A Short Piece on the Elephant that Crushes Heineken Cans” on a whim while I was drinking Heineken. As I’m sure you know, Heineken cans are a beautiful green color. I finished drinking one of them and then crushed it in my hand, and as I did, I thought, man, this would be even flatter and more beautiful if an elephant stepped on it. And that’s why I wanted to write this story, from what I remember. I’m not sure how good it is. (X)

Well, he liked it enough to include it in his Complete Works, which you can’t say about “The Town and Its Uncertain Wall.” My guess is that he needed to create some value of his own for the Complete Works and this small, yet-to-be-collected short story fit in thematically; he positions it write after “The Elephant Vanishes,” and now that I look at the order, I see that he added “The Bakery Attack” as a small bonus immediately after “The Second Bakery Attack.”

One note about the translation. In the Japanese, Murakami has his narrator drink 一ダース worth of beer – a dozen cans. I tried using that in the translation, but “a case” felt so much more natural in the English that I decided to go with that instead.

This concludes Murakami-palooza 2009. You can watch the announcement online here.